It might seem paradoxical given my profession, but I'm not someone who likes to be in the limelight.
I wouldnt mind being in an American film for a laugh, but I certainly dont want to be in Thingy Blah Blah 3, if you know what I mean.
Even if I have only ten more years in front of me, it's such an intensive life. I have the feeling that I have already lived three lives in three years.
I understand that we cannot make other people happy when they are unhappy.
I've never sent a Tweet. I think I have an account but I don't know who runs it. I've never done one in my life.
I believe in God, but I am not sure to trust Him so much.
I don't want to think my life as a career. I'm interested in my work only because of the meaning I can make.
What we wear is the shell of who we are.
I never want to do the same things twice. I like surprises.
Charm is more valuable than beauty. You can resist beauty, but you can't resist charm.
The problem for me is that I look like so many people in my family, so I can't really see anything. Except I could say that I look rather like my father without his mustache.
Maybe it was my revenge on people who had been unkind to me as a child. But it was very easy and a thrill to freeze up children.
Archetypes are always [in my film-making]. It's sometimes interesting to just flip them a little bit and see the underside.
When I'm in northern Italy, I walk about feeling slightly less of a freak.
For me, sex is a refraction of the thing about identity. In the sexual contact, which is usually - but not exclusively - between two people, you do retain separate people.
We're like the raw food movement in cinema - so determined to give people things that do some good, that they recognize as real.
I think that a real film fan experience is about a kind of omnivorous experience.
There's an alarm bell that goes off in my head if I can sense that I'm making a mistake.