I get bored very easily. I find most movies boring. I go to movies and ask, "How do they stay awake making this?"

Now I see it clearly. My whole life has pointed in one direction. I see that now. There never has been any choice for me.

I was looking for people who didn't have any preconceptions about films, what I call the "post-rules" generation.

I teach a course in screenwriting at Columbia, but I've never taken a course and I've never read a book about it!

All the animals come out at night.

'Taxi Driver' wasn't autobiographical in terms of the actual events, but I did draw on my own mental state.

Nobody has shot a strip club in black and white in a long time.

You can't take contradiction away. Part of the fun of it is that the contradiction never really quite goes away.

That's just my disposition - to create a situation where you have to come up with something.

You think it's a blessing to know what God wants? I'll tell you what he wants. He wants to push me over! Can't he see what's inside of me? All my sins.

Let's just shoot in black and white. Don't explain why. Have no reason for it. Just do it because it's interesting.

Once you have a situation that is fresh, then you sort of believe in it and it becomes normal. So you do end up with protagonists that haven't been in other movies before.

I want to be happy; why do I do things that make me unhappy?

Those artists who say that somehow therapy or analysis will thwart their creativity are completely misinformed. It's absolutely the opposite: it opens closed doors.

One of the things that I do like about filmmaking is that you find out how to solve new problems.

I don't think it's very useful to open wide the door for young artists; the ones who break down the door are more interesting.

Anything that doesn't bore me I think is doable because it's keeping me awake.

Ultimately, it's an illusion that you can understand yourself.

The clock is impotent; mechanical time does not affect those living in an eternal present.