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The effortless ease with which his tried vocal chords alternately contrasted the vibrant and tender shades is another special characteristics of Bhimsen’s rendition, capable of capturing the subtlest tones, at once showcasing the aesthetic majesty and grandeur of his exceptionally captivating quality of singing.
What is more, Bhimsen was as much at home in encapsulating the classical mode as in toying with the lighter variety of music. While his alap, bhadat and bandish in the classical mode sported a proportioned, balanced and serene majesty of the melodic range, the lighter Bhava Geet, Thumri, Abhang and Dasapadas were redolent with discreet lyrical flavour.