There's four biggies. There was Elizabeth I, George III, Victoria, and the current queen, who really dominated four eras.

I was in London. It's a long way to go for a very long party, sitting there for six hours not having a cigarette or a drink. It's a waste of time.

That is one of the reasons one enjoys acting. Now and again, you get scenes where you work with somebody really good and you have a good time trying to make it really work and really work well.

I don't enter, I'm entered. It's up to someone else. It's up to them.

I don't think that we necessarily lie. I mean, we make our living by pretending that we're someone else. I don't tell tall tales. I always tell the truth.

Maybe don't make it so.

To be a character who feels a deep emotion, one must go into the memory's vault and mix in a sad memory from one's own life.

You're exactly as big as I let you be.

But as my voice coach keeps saying, if we actually spoke the way they imagine the Elizabethan voice might have been, we wouldn't be able to understand it.

What I appreciated was the fact that the script delved into how Australians were - and still are - condescended to by the English.

Someone told me that there's a connection to Superman, that in an early edition of the Green Lantern comics, Tomar Re was the envoy to Krypton. That was fascinating to me.

They were saying, 'Keep this under your hat, but Jack Sparrow's going to die in the second movie.' I went, 'You're kidding me. The fans are going to go berserk.'

When you are playing an egomaniac running a fantastical ship, you don't want him to be too suburban. Naturalism doesn't work on the high seas.

I guess I've been fortunate in having an ongoing film career while being based in Melbourne. I'm happy to commute. A day on a plane. Come on. It's easy.

I would always slip away to the cinema. I always found something absolutely extraordinary about the fact that these actors were always kind of kicking hard at some new dimension they were doing on film.